๐ฌ Alice Rohrwacherโฃ

โ๐๐ฐ ๐ต๐ฉ๐ฆ ๐ธ๐ฐ๐ญ๐ง ๐ข๐ฑ๐ฑ๐ณ๐ฐ๐ข๐ค๐ฉ๐ฆ๐ดโฆ ๐ฉ๐ฆ ๐ด๐ฉ๐ข๐ณ๐ฑ๐ฆ๐ฏ๐ด ๐ฉ๐ช๐ด ๐ค๐ญ๐ข๐ธ๐ดโฆ ๐ฉ๐ฆ ๐ด๐ฎ๐ฆ๐ญ๐ญ๐ด ๐ด๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ ๐ฉ๐ฆ ๐ฉ๐ข๐ด ๐ฏ๐ฆ๐ท๐ฆ๐ณ ๐ด๐ฎ๐ฆ๐ญ๐ญ๐ฆ๐ฅ ๐ฃ๐ฆ๐ง๐ฐ๐ณ๐ฆ, ๐ข๐ฏ๐ฅ ๐ฉ๐ฆ ๐ด๐ต๐ฐ๐ฑ๐ด. ๐๐ต ๐ธ๐ข๐ด ๐ต๐ฉ๐ฆ ๐ด๐ฎ๐ฆ๐ญ๐ญโฆ ๐ฐ๐ง ๐ข ๐จ๐ฐ๐ฐ๐ฅ ๐ฎ๐ข๐ฏ.โ
Just like Rohrwacherโs previous films Happy As Lazzaro starts with a dark image as well, I don’t think it’s any coincidence. The image of darkness fading into light feels like an opening of our senses to a new place, to people we havenโt met or heard before, to a new experience.
The setup is very simple, a group of people living as a family work as farm hands in a sharecropping arrangement on a tobacco farm on an estate called Inviolata. Lazzaro, the central character of the film is one of those workers. The introduction to Lazzaro is a long shot of him staring into the void in the darkness, he seems so lost.
But just a few minutes into the film we learn that thatโs actually him being himself, a person with no mask, one helps others without asking any questions or judging them, an unadulterated soul about whom you can only hear in fairytales. He doesn’t have anyone as a relation except for his grandmother but he doesn’t long for it either. The sharecropping is an outlawed practice but farm workers donโt even know that, they work for nothing without asking any questions trying to clear their debts.
This makes an interesting analogy, in some ways these workers are no different to Lazzaro, both of them obey and follow every command given to them but what makes them different is that farmworkers donโt have the good soul of Lazzaro, the farm owner exploits these workers, the farm hands in turn exploit Lazzaro (heโs shown doing the bulk of the work), it’s like a cycle, a metaphor to the mechanism of capitalism but look where the cycle stops, it stops with Lazzaro, he doesnโt take advantage of anyone but takes all the burden on himself without even complaining.
Tโฃhere are some scenes in the film in which people exploit and mock him that is so devastating but the biggest heartbreak of all comes through this very little detailing in dialogue, some of the farmworkers are relaxing near a water source, they hear footsteps of someone approaching through woods, a girl asks โ๐๐ฉ๐ฐโ๐ด ๐ต๐ฉ๐ข๐ตโ for which an another replies โ๐๐ฐ๐ต๐ฉ๐ช๐ฏ๐จ, ๐ช๐ตโ๐ด ๐๐ข๐ป๐ป๐ข๐ณ๐ฐโ, this is one of the many brilliant moments in the film, use of just three words as a dialogue to indicate that most of the workers donโt really care about Lazzaro but that’s what purity and selflessness bring to someone, itโs not only a thankless quality to have but in Lazzaroโs case its a threat as well.
Tancredi, the son of the farm owner after being fed up with his mother for controlling him befriends Lazzaro and fakes his own kidnapping to get some money from his mother as ransom but his mother sees through this act so the random never arrives. Tancredi is alone in the harsh badlands, he needs someone to accompany him so when calls Lazzaro his half brother, Lazzaro stops for a minute and that’s the first time we hear a piece of music thatโs not used to establish a landscape or an event in the film but to transport the melancholy of a character, itโs his first time hearing someone calling him by relation and it means something to him and takes it so seriously.
But, unfortunately, he canโt spend more time with Tancredi โcause he has to work on the farm but Tancredi doesnโt understand this and says that a half brother doesnโt leave another all alone in this wilderness. Lazzaro after hearing this and being returned from the uphill to the farm goes staring into the void again. This action of him staring into the void is so important in understanding Lazzaro, it happens after the crucial moments in the film and it’s almost like a reflection of him feeling overwhelmed in fact thereโs an actual shot which is a reflection of Lazzaro in the water when heโs staring into the void after not being able to accompany whom he thinks as his half brother.
If there’s ever gonna be a list of the most cinematic moments in films of the last decade, I don’t think the list would be complete without the magical genre twist in Happy as Lazzaro, it’s something thatโs so magical and reminds you of the real power of cinema. So, Inviolata is now completely abandoned and many years later Lazzaro reunites with Antonia (one of the farmworkers) and her family in the city but he is the same person as they last saw him, the same innocent soul as they last remembered and for Lazzaro nothing is changed as well, he starts looking for his half brother and when Lazzaro eventually finds his half brother by accident Tancredi invites him and Antoniaโs family to his estate for a lunch. But when Lazzaro and Antoniaโs family arrive at his home, Lazzaro learns that he is not rich but completely broke and the bank is to blame for it.
The next sequence is one of the purest moments in cinema that I have seen, Lazzaro goes staring into the void again and for the first time in the entire film he sheds a tear and thatโs not โcause Tancredi lied to him but โcause Tancredi is actually broke and he feels so sorry for him.
The ending to the film more than being magical is so devastating, it’s almost like a statement stating that a man who is so pure, so selfless, and who is almost a saint-like Lazzaro canโt survive in this capitalist world where greed and selfishness are the qualities that humans must have in order to survive. Lazzaro must die and by which he becomes a lone wolf and goes to a better place.
Thanks for reading. Cheers.